Hitman: Absolution released in November 2012 ending a 6 year hiatus for Agent 47. Last seen in 2006′s Blood Money, Absolution brought 47 back along with some new tricks and the incredible new online Contracts mode.

The team at IO knew they wanted to make a game that could appeal to a broader market while still maintaining that hardcore experience for long-time fans of the series. “The big challenge was how to achieve a broader appeal without compromising the core of the game. We knew we needed something special to please the hard core fans, and the purist mode and contracts mode were two important components to its success,” game director Tore Blystad explains in our exclusive interview below.

Continue reading “Hitman: Absolution Director Tore Blystad Talks Possible New DLC, Undiscovered Easter Eggs, and More” »

Warframe is a third-person sci-fi shooter from the developers responsible for The Darkness 2 and the upcoming Star Trek game, Digital Extremes.

Having garnered over 1 million users in its first two weeks of open beta, Digital Extremes is successfully bringing a AAA game experience to the free-to-play market. Warframe’s exciting “Space Ninja” combat has definitely captured the attention of gamers, “I honestly thought we’d have a big peak and it would tail off more aggressively but we’ve managed to work our way into the top ten on steam and still hit new concurrency peaks every week,” creative director Steve Sinclair tells us.

Continue reading “Creative Director Steve Sinclair Tells Us How “Space Ninja” Sci-Fi Shooter WARFRAME brings AAA to Free-to-Play” »

While it may not be quite as epic as Jace’s own Ultimate Arcade Machine, Bacteria’s recently unveiled Project Unity combines fifteen different classic video game systems into one mega console.

Taking over 3500 man hours to complete, Bacteria’s Unity houses console boards like the Super Nintendo, Atari 7800, Colecovision, Turbo Grafx, Dreamcast, GameCube (with GBA player), Amstrad GX4000, Intellivision, Mega Drive, Nintendo 64, NeoGeo, NES, Playstation 1, Playstation 2, Sega Master System and Sega Saturn.

Bacteria tells us there is absolutely no emulation or cloning going on here: “No emulation, no clone systems either, just original hardware, and yes, needs original game carts/discs for the games. It’s all legit.” Continue reading “Project Unity: Ultimate Retro Gaming System Combines 15 Consoles in 1” »

Hideo Kojima made another recent appearance on GTTV with Geoff Keighley to talk more about Metal Gear Solid V: The Phantom Pain. While he really didn’t get into many new juicy details or any new information on how there will be two games that make up MGSV, but it did get us thinking about some of things we want to see KojiPro take into consideration for Metal Gear Solid V: Phantom Pain.

Kojima talked about how he feels the pressure from ever-popular Western developers saying “we really want to reinvent ourselves.” He went on to explain that the sudden switch to roman numerals was based on this idea of competing with the western developers, saying the “V” in the title “stands for Victory.”

Continue reading “Metal Gear Solid V: Farewell To A Legend & What We Want To See Out Of The Phantom Pain” »

Grimlands is an upcoming Shooter MMORPG hybrid in development at Drago Entertainment. Set in a post apocalyptic American Southwest that has been rocked by devastating earthquakes, Grimlands features innovative crafting mechanics, a completely open ended character progression system and a strong focus on extremely intelligent and adaptive enemy AI.

“Grimlands presents a different approach to MMOs by combining the fast and fun gameplay of a first&third person shooter with a full scale, sandbox MMORPG that is set in a vast open game world and features a fully player based economy where every item is crafted out of scavenged raw materials.”

You can check out our exclusive interview as well as some gameplay footage and screenshots below.

Continue reading “Shooter/MMORPG Hybrid, GRIMLANDS, Combines Borderlands with Fallout, Plans for Playstation 4 Release” »

Pulse is a unique first person adventure game where players will take on the role of a blind protagonist and will have to make use of  a sort of echolocation game mechanic in order to reveal the environment around them.

Originally prototyped as a final project for the Vancouver Film School’s game design program, developer Team Pixel Pi has taken to Kickstarter in order to fund the full production of the game. Made up of 5 core members: Michael Cooper, Lala Fuchs, Maxwell Hannaman, Richard Harrison and Leanne Roed, Pixel Pi won a Unity Award last year for Best Student Project and is also nominated in the Student Showcase for the Independent Games Festival Awards.

“Pulse is a first person survival game that takes place in an unseen world revealed only by sound.”

Continue reading “Use Sound to Explore and Survive in Pulse” »

Bloom: Memories is an isometric action adventure/RPG with a deep focus on meaningful story telling, a rich art style and unique story driven game mechanics. Getting down to the wire on its Kickstarter campaign with 9 days to go now, Bloom: Memories is being developed by Los Angeles based Studio Fawn.

Project lead and artist Dani Landers tells us “the three biggest influences on the design of the game are the original ”Legend of Zelda” and the philosophies behind Journey, with the art of Guild Wars. An action RPG game compared to the gameplay in Zelda mixed with what Landers describes as — “philosophies behind Journey” — ok, you have our attention.

Set in a beautiful and imaginative game world, Bloom: Memories follows the story of a mother and daughter and the bond between them. The title’s stand out features are rooted in its story driven mechanics, as deep down as the combat system and the unique “Linked Heart Mechanic,” something Landers tells us more about in our exclusive interview below. Continue reading “Zelda’s Deep Story-Driven Game Mechanics Meets Journey Inspired ARPG, BLOOM: MEMORIES” »

Rumors have been surfacing all over the internet lately that the next Xbox will require players to be connected to the internet at all times, something that has many gamers and critics concerned. Although there may not be anything inherently bad about always online experiences, the idea that the console itself must be, presents a number of different problems as I’m sure you can imagine.

For one there are many different regions of the world where broadband internet connections aren’t reliable. We are talking about both more remote regions as well fully developed city centers. Even parts of major cities like New York and Los Angeles experience random internet black-outs with no forewarning.
Continue reading “How An Always Online Next Gen Xbox Polarizes Potential Install Base” »

Recently we reported on the announcement of DuckTales Remastered, the HD remake of the beloved DuckTales NES title. The remastered version is set to bring the same amazing experience the original did with a host of new upgrades and content.

The original DuckTales game is such a memorable experience for a lot of us with its iconic music and non linear gameplay, something Capcom producer Rey Jimenez ensures us developer WayForward takes very seriously. Jimenez tells us “WayForward is using the NES version as the blueprint for all of the level layouts…most of what you’re going to see will be true to those old maps.” He continued by saying that Remastered hosts a bunch of new features that “were done to enhance” what Capcom and WayForward feel “the original dev team intended…”

DuckTales Remastered will feature HD 3D backgrounds and hand drawn sprites as well as a new hub area that will allow players to “take Scrooge for a dive and swim into his vault of money,” says Jimenez. Money collected in the game can be spent on unlockables in the all new gallery as well. Continue reading “Capcom Producer Rey Jimenez Talks New Final Level, Hub Area and Staying True To The Original With DUCKTALES REMASTERED” »

Flowstorm is a 2.5D racing and aerial combat game from two person development team Neat Corporation. An evolved version of old school Thrust clone games, Flowstorm is a “brutally unforgiving” experience that demands player skill “rather than your character virtually becoming better through gaining skills or increasing your level,” one half of the dev team Joachim Holmér tells us.

For those that don’t know, the Thrust clone genre started back with Lunar Lander and Asteroids in 1979 and is centered around a player controlled ship with full directional acceleration that is affected by gravity — you know the ones — a more recent example being PS1′s Gravitation.

Continue reading “Game Designers Aim To Put “Thrust Clone Genre” Back On The Map With Brutally Unforgiving FLOWSTORM” »

A new platformer from Tenwall Creatives called Bleak has recently caught our eye on Kickstarter. The game is described as a “Massive Fantasy Platformer for PC, Mac and Linux.”

Creative director Justin Novelline tells us the game “could be compared in aesthetic to something like Final Fantasy 7″ with gameplay reminiscent of titles like Super Mario World, Super Meat Boy and The Legend of Zelda: A Link to the Past.”

Like its name, Bleak is set in a dark, industrial setting on a planet referred to as “The Pinnacle.” Players will go through 70+ levels across a vast and rich game world that “celebrates heavy lore and character driven story-telling.”

The world of Pinnacle is inhabited by several different races each with their own agenda, belief systems and language, something that effects the gameplay significantly. How each race communicates “varies immensely” said Novelline, “We’re excited for Pinnacle to reflect this in a bold way.”

We have some gameplay footage and some screens below along with our exclusive interview.

Players will take control of three different characters: Bleak the Sourcer, Sky the Sylvan and Bug the Beardstaff, and like the various NPCs and enemies in the game, their race, beliefs and language will play large role in how each character can interact with the world. Each of the three playable characters are unique in combat as well with their special abilities, something we get into more detail about in our exclusive developer interview below.

Another interesting feature in Bleak is its two tired approach to the game’s overall design. When players enter a town or city of some kind, the game’s perspective transitions from a sidescrolling action-platformer to a “top-down adventure game to provide the player with a more immersive relationship with the world and its characters. This is two beautiful games in one.”

JHS: What is “Bleak” all about and what sets it apart?

Justin Novelline: “BLEAK” is a dark fantasy platformer that celebrates heavy lore and character driven story-telling. It features unique governments, religions, races, territories, alphabets, ecosystems and a host of compelling characters who you travel along side your journey.

JHS: If you had to, what existing games would you compare to Bleak?

JN: “BLEAK” could be compared in aesthetic to something like Final Fantasy 7, it has dark mechanized steampunk elements. In gameplay it’s closest relatives are a mash up between Super Mario World and The Legend of Zelda: A Link to the Past.

JHS: Can you elaborate a little bit on the story and setting of Bleak? What is The Pinnacle?

JN: “Pinnacle” (Or more formally “The Pinnacle”) is the attempt at the perfect society (that always works). It’s a planet where the accidental discovery of a new precious metal called “Core” has sent an otherwise simple and peaceful race of people known as “Sourcer’s” into a greed fueled tail spin. In addition to Sourcer’s there are six other races who have watched as their once beautiful home has rotted beneath thanks to greedy Sourcer’s building factories to process and refine core on a massive scale.

JHS: What kinds of influences, games or otherwise, inspired the team at Tenwall to create Bleak? What other games are you guys playing right now around the office?

JN: We’re heavily influenced by story-driven games like Chrono Trigger, Deus Ex, Skyrim, Dark Souls and Bioshock/Bioshock Infinite. Anything where the player is invited to get lost in a games world and lore is really cool and exciting to us.

JHS: Bleak has “3 Playable Characters Each With Their Own Special Abilities.” Can you tell us more about the game’s combat system and how each of the playable characters differ?

JN: In-game you will have the opportunity to play as Bleak the Sourcer, Sky the Sylvan and Bug the Beardstaff. Each character has their own personality, belief system, temperament and of course abilities. The combat system is primarily player vs. environment as their are few offensive abilities. We thought this reinforced how incredibly lethal Pinnacle was and how small and relatively insignificant the protagonists are.

As for specific mechanics:

Bleak: Abilities: Sprints. Power Slams and has the ability to construct helpful machinery.

Sky: Glide jumps. Swings from branches. She can use her flute to commune with the red, summoning spike like brambles and vines to do her bidding.

Bug: Small. Agile. Capable of triple jumping and crawling through small spaces. Can ride an assortment of mounts including the powerful Gorumph.

There will be specific levels that can only be beaten a certain way with a certain character, this not only adds a level of completionism to our game, but also helps in connecting the characters species to the world.

JHS: “Each race in the world of Pinnacle has been fleshed out to such an extent that even their languages are based on unique alphabet glyphs. These will appear throughout the game on signage and in tomes (if you’re lucky enough to find one).” What happens if you do find one? How do these “languages” integrate into the gameplay?

JN: The alphabets will be sprinkled throughout Pinnacle whether it be on “warning signs” or in history books. Your ability to understand them depends on how much of the “Key to the World” (Our game’s Rosetta Stone) you have uncovered. It’s just another level of detail to help the players sense of immersion, because like here on Earth, when you have thousands of miles of terra firma inhabited by different nationalities (never mind different races) how they communicate varies immensely. We’re excited for Pinnacle to reflect this in a bold way.

JHS: Pictured to the right “is a diagram detailing the various belief systems that occur throughout Pinnacle.” Can you tell us more about the belief system in the game?

JN: There are eight different belief systems in game. Each one caters to different races and geographic ideologies. Seeing as there are no cell phones or internet on Pinnacle, communication is far more limited. It was important to us to look at what a Sourcer on Wither might believe versus say an Ero on Glimmer.

Belief systems also effect how NPC’s will react to you. For example, one belief system centered around “The Marauder’s Bay” is called “The Gray”. Followers of The Gray way of life only respect who has the sharper sword. They will attack anyone they think they’re capable of robbing on sight in favor of a brutal and anarchistic life style. If you run across anyone wearing the Gray emblem, good luck.

JHS: How does Mount and Airship Travel work and why is it used?

JN: Both mount and airship travel are carefully correlated to the game’s lore.

Mount’s will be accessible only when there is a good relationship between the player character and the “mount”, which they will be permitted to ride on a case by case basis to aid them in tricky situations. One example of this is that Bug is a Beardstaff. The Beardstaff’s have cultivated a respect and understanding with the “Gorumph’s”, gorilla like creatures with enormous mouths. If the player, playing as Bug comes across an idle Gorumph, they can climb into their mouths and steer them like a wrecking ball through the level. Other playable characters will simply be ignored.

As for Airships, you get to take control of these core powered floating processing plants after meeting the surly Sourcer Pilot “Zep”. His vehicle isn’t much to look at it, but it’ll get you from A to B… or will it?

JHS: There are so many independent games on the radar these days especially with the rising popularity of crowd funding. What does it take, in your opinion, to make an indie game that really stands out from all the others?

JN: Passion and conviction. Believing vehemently in BLEAK and his adventure. This isn’t so much about a game accompanied by a story as it is about a story and universe you get to experience through a game.

JHS: Can you tell the Jace Hall readers something secret about the game we might not already know from the pre release material and Kickstarter? 

JN: Some of BLEAK’s most exciting twists are right under everyone’s noses.

Thanks for the questions!

For more on Bleak follow the game’s Creative director Justin Novelline on Facebook and be sure to back the game on Kickstarter.

Deus Ex: Human Revolution is said to be the definitive version of the game. Although many of us are disappointed that Eidos Montreal didn’t announce a new game in the Deus Ex series, the Director’s Cut is poised to be more than just some cash grab Wii U port.

At first it seemed as though Nintendo was grasping at straws trying to get some hardcore games over to its new and, to some, struggling platform. As more information is revealed about the Director’s Cut, we can clearly see that Eidos is not only adding new features and game mechanics to the experience but also altering it to better meet fan expectation.

Continue reading “We Ask the Lead Designer Why Deus Ex: Human Revolution Director’s Cut Is The Definitive Version of The Game” »

Shovel Knight is a 2D love letter to the 8 bit era of gaming that has been receiving a lot of attention lately after its strong showing at PAX. Now well past its goal on Kickstarter, Shovel Knight is a “a sweeping classic action adventure game” heavily inspired by games like Mega Man, Castlevania and Dark Souls.

[UPDATE:  Yacht Club Games has announced that Manami Matsumae who composed classic songs for Mega Man (Cut Man and Elec Man Themes among others) and U.N Squadron will be writing two tracks for Shovel knight along side  Jake "Virt" Kaufman who is working on the rest of the games score.]

Shovel Knight is being developed by Yacht Club Games, a team comprised of Sean Velasco and a “crew” of devs from WayForward who have previous experience working on projects like “Contra 4, A Boy and His Blob, Thor: God of Thunder, Mighty Milky Way, BloodRayne Betrayal, and most recently, Double Dragon Neon.”

The game was recently announced to be making its way to both the Nintendo Wii U and the 3DS as well as PC.

Continue reading “Like Crazy Bosses and Perfect Platforming? Mega Man and Castlevania Inspired SHOVEL KNIGHT is For You [UPDATE]” »

Dishonored released worldwide in October of last year to an overall positive reception among critics. The game won the Best Action-Adventure game at the 2012 Spike Video Game Awards and the Best Game award at the 2013 BAFTAs, not to mention the Jace Hall Show Game of The Year 2012.

The question is: how did the team at Arkane come up with such a compelling and unique AAA experience in a world rife with sequels and off-the-wall indie games?

Set in the dark, plague ridden city of Dunwall, Dishonored introduced gamers to a fresh new IP when we needed it the most with some incredibly interesting and new game mechanics like the “Blink” and “Possession” abilities. Players are able to chain these abilities together allowing them to tackle various situations in an individualized and personal way: Summon rats using “Devouring Swarm” then slow time using the “Bend Time” ability, attach a mine to a rat, then possess it and walk it into a group of unsuspecting enemies. Continue reading “Dishonored Co-Creative Directors Raphael Colantonio and Harvey Smith Talk Early Iterations of “Blink” and Empowering The Player” »

Humans Must Answer is a 2D space shmup that is poised to reinvigorate the genre while attracting new players to it. With its open beta available, the dev team at Sumom Games is already noticing players that don’t normally gravitate towards these kinds of experiences enjoying the game.

How is Humans Must Answer doing this?

The game manages the delicate balance of offering an experience hardcore shmup fans will appreciate while allowing enough of a unique approach to the genre that new players are interested as well.

With its slick, “eye-popping” graphics and over the top explosions, on the surface HMA is what every shmup fan wants. But when you peel back the layers here, there a number of advanced weapon systems like “Support Weapons” and deployable turrets as well as non-linear gameplay and tactical boss battles. Continue reading “Sumom Games To Reinvigorate 2D Space Shmups With HUMANS MUST ANSWER (Now in Open Beta)” »

Larian Studios has recently taken to Kickstarter to fund the latest entry in the Divinity series, Original Sin. The game will feature classic turn based combat, non-linear campaign, co-op and an extremely interesting “disagreement” mechanic built right into the game’s dialogue system.

Divinity: Original Sin is an isometric RPG that brings to the table much of what fans of the genre will expect as well as taking the experience to a new level with the game’s unique elemental system and “very reactive/interactive environment.”

Continue reading “Divinity: Original Sin Revives Divinity Franchise, Challenges Dialogue Mechanics.” »

Mongrel is a new deeply customizable fighting game for iOS in development by two man team, Blake Whitworth and Stephan Messier. The two just recently launched a Kickstarter campaign for the Unreal Engine powered mobile fighter.

Mongrel is set in a fascinating alternate version of human evolution where “Animals have evolved into humanoid hybrids.”

You are a Mongrel–low on the caste system, you are a lesser hybrid and a slave. You must fight your way through perilous battles with other mongrels and giant beasts alike.  “To quickly gain status in a harsh and brutal world, they are given the opportunity to fight for their freedom in the mongrel arenas,” artistic lead Stephan Messier told us.

Continue reading “Developers Bring Unique Multiplayer and Customizable Fighter, MONGREL, To iOS [Exclusive Artwork]” »

Planet Explorers is an open world adventure RPG with a strong focus on exploration and creation tools. Developed by Pathea Games, PE has recently opened a Kickstarter campaign in search of $100,000.

In the year 2287 Earth has sent out its very first ships to colonize the planet Maria. After crashing, players will take control of the stranded colonists and thrown into a sandbox like game world where they must “explorer, gather, build, create, fight, and ultimately, conquer the land.”

Continue reading “Choose Diplomacy Or All-Out War In Open-World Sandbox RPG, PLANET EXPLORERS” »

It has been a weird and interesting ride Kojima has  taken us on with this whole Phantom Pain fiasco and today he hit the stage at GDC with what many hoped would finally clear the air–and now it is.

We now know that both The Phantom Pain and Ground Zeroes together make up Metal gear Solid 5.

You can watch the new MGS5 trailer below.

Continue reading “After Much Ado…Metal Gear Solid: Ground Zeroes and The Phantom Pain are Metal Gear Solid 5” »

With the release of Bioshock Infinite this week, we sat down with the game’s composer Garry Schyman, to get an inside look at what it takes to create the score for such an ambitious title and how sound and music enhance gameplay.

The Bioshock games have always been known for their mood setting environments and stellar sense of immersion. The characters and settings (visuals) in games are what many people focus on when it comes to whether or not a game really sucked them in or not. A game’s soundtrack has a lot to do with the way player’s experience a title as well, both in their understanding of the characters and the way a game “feels” overall. These are all things that Schyman takes very seriously when composing for anything and especially with the Bioshock franchise.

Continue reading “Composer Garry Schyman Tells Us the Secret Of Scoring Bioshock Infinite” »